non-fiction

The Poorhouse State: The American Way of Life on Public Assistance

In 1965, Elman worked as a research associate for the School of Social Work Research Center at Columbia University. His book, The Poorhouse State: The American Way of Life On Public Assistance evolved from those experiences where he spent two years interviewing people on relief in New York’s Lower East Side.

Manny Gelder, Slumlord is a chapter from the book.

Showdown At Tucson: The Great Sanctuary ‘Alien-Smuggling’ Trial

In 1985 Elman taught in the Creative Writing Department at the University of Arizona in Tucson, where he also attended the trial of clergy providing sanctuary for political refugees from El Salvador and Guatemala. These clergy, who were part of a larger Sanctuary movement, were accused by the American Government and the INS of smuggling aliens into this country. The government’s case prevailed.

Nicaragua: A People Aflame

In 1978-79 Elman worked as a journalist in Central America, covering the war in Nicaragua against the Somoza regime. He travelled on assignment for GEO magazine and his text accompanied the images of photojournalist Susan Meiselas for the essay, “Nicaragua: A People Aflame,” GEO I (1979) pp. 32-60, first published in December 1978 of the German edition of GEO, as “Das Drama von Managua.” Elman’s account of that trip and succeeding visits to Nicaragua are told in his book, Cocktails At Somoza’s: A Reporter’s Sketchbook of Revolutionary Nicaragua.

Ill-at-Ease in Compton

Published in 1967, Ill-at-Ease in Compton is a book of reportage, about the mechanisms of discrimination at work in Compton, California a city with a large lower middle-class population. Richard’s first visit to Compton (a population of 75,000 at the time), was during the 1964 election when he had been sent there to prepare a script about the community for an educational TV station. Compton had been picked as a typical Democratic town which was to be compared to a typically Republican town in program about voting patterns.

Namedropping (1997)

Before Elman died, he read the galley-proofs of his memoir, Namedropping: Mostly Literary Memoirs. What sets this work apart from other recent memoirs is that Elman (Tar Beach) is finally less revealing of himself than of his cultural milieu. Through brief essays, Elman records his encounters with a range of important and interesting public figures, mostly other writers but also musicians, actors and politicians.

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